![]() In this presentation, we discuss and formulate the challenges inherent in these steps and present several methods to make the process more efficient. This computationally challenging problem demands both efficient and accurate simulation of the light transport in the scene, as well as detailed modeling of the geometries, illumination conditions, and material properties. To generate predictable and consistent results, we study physically based methods, which simulate how light propagates in a mathematical model of the augmented scene. The paper presents methods for photorealistic rendering of virtual objects at Brooklyn museum so that they can be seamlessly composited into images of the real world. Photogrammetry may be used to help discover and encode accurate optical properties of materials. Physically based rendering (PBR) is an approach in computer graphics that seeks to render graphics in a way that more accurately models the flow of light in the real world. An additional layer to the scene is that it portrays Sety I’s hegemony over those locations, uniting them and his authority over them forever on the stone walls of the Great Hypostyle Hall. The geographic positions of these locations also revealed that the Procession is likely representative of a journey to these cult places that can be related to Sety I’s legitimation process. The analysis of these locations revealed that the many of the cult places were significant in ways that would have strengthened and supported the rule of the newly-established dynastic family. The cult locations, provided in the epithets attached to each of the manifestations of the goddess include: Dendera, Southern Sycomore, Byblos, Land of Turquoise, Thebes, Hût- Sekhem, WADyt, Medjed, the Red Land, Cusae, Hetepet, Buto, Punt, and RwDwy. Those scenes portray a connection between the early 19th dynasty rulers, Ramesses I and Sety I, and the cults of Hathor. ![]() This examination of the scene found on the northern half of the western interior wall of the Great Hypostyle Hall of Karnak Temple, focuses on Hathor, who is depicted fifteen times within the three rows that make up the Procession to the Cults of Hathor relief. Looking Beyond the Image: An Exploration of the Relationship between Political Power and the Cult Places of Hathor in New Kingdom Egypt. ![]()
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